http://www.youtube.com/watch?v=TGbVaJ5kl7s
Shook (one of my favorite remix artists) takes Phoenix's Lisztomania and makes it more French, more disco-poppy, more dance hall, more syncopated and synth-y, more sparse and reverb, stripping it down to its minimalist essentials, the choralized vocals; it builds back up a bassline, a clav synth, and claps, and pretty much nothing else. And you get this portrait of a song which has been torn open, ribs exposed, and you can see how it works; the song swells properly as the bridge leads into the chorus; the bassline mirrors the repetitions, and the song trudges along nn-ts, nn-ts like a good disco song, connecting another remix bridge between time periods, dragging the past out into the light, examining the stuff Phoenix is made of.
Showing posts with label shook. Show all posts
Showing posts with label shook. Show all posts
Monday, April 15, 2013
Thursday, April 4, 2013
Shook — Emancipator (Mobb Deep X Sigur Ros)
http://www.youtube.com/watch?v=IVEwemk-TRU
Sigur Ros has never quite done the trick for me; I need my music to have driving rhythms, even if it's ambient; nothing downtempo for me. When I first heard this around a year ago, I thought it was merely a remix some Sigur Ros song; when it kicks into high gear around 1:01, it is transfixing, chopping and filtering and switching between vocals and chants and backgrounds, two layers of already indistinct gibberish further removed from context, built into a layered quilt of texture and sound — and then the rap section begins at 2:00, another minute later. The lyrics are unrelated; I love the contrast between the abrasive, violent lyrics and the peaceful backgrounds, mediated by a chopped midtempo beat, made of Sigur Ros but made to fit Mobb Deep. The two artists have never — will never — meet or collaborate, but somebody (Emancipator, here) thought they should, and they were right.
Sigur Ros has never quite done the trick for me; I need my music to have driving rhythms, even if it's ambient; nothing downtempo for me. When I first heard this around a year ago, I thought it was merely a remix some Sigur Ros song; when it kicks into high gear around 1:01, it is transfixing, chopping and filtering and switching between vocals and chants and backgrounds, two layers of already indistinct gibberish further removed from context, built into a layered quilt of texture and sound — and then the rap section begins at 2:00, another minute later. The lyrics are unrelated; I love the contrast between the abrasive, violent lyrics and the peaceful backgrounds, mediated by a chopped midtempo beat, made of Sigur Ros but made to fit Mobb Deep. The two artists have never — will never — meet or collaborate, but somebody (Emancipator, here) thought they should, and they were right.
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